It’s no secret that The Force Awakens is intended to be a passing of the torch in the Star Wars universe from the veteran characters aged well past the prime of space adventures to a younger generation of ragtag swashbucklers, idealistic heroes, and sinister villains. Along their journey, they find both allies and enemies among the characters - both new and old - they meet along the way. As the galactic conflict rages on, an orphaned scavenger (Daisy Ridley) and a former Imperial Stormtrooper (John Boyega) become key figures in a galaxy-wide hunt for a map that could hold the key to tipping the balance between those who wield the mystical power known as The Force. The Rebel Alliance continues to fight the good fight as The Empire marshals its forces under the guidance of the mysterious First Order. Set 30 years after the events of Star Wars: Episode VI – Return of the Jedi, The Force Awakens finds a new cast of characters caught up in the battle between the remnants of The Empire and the fledging Republic. Abrams’ long-awaited seventh installment of the iconic sci-fi saga. Fortunately, there’s a lot of the former, and very little of the latter in director J.J. To say that Star Wars: Episode VII – The Force Awakens arrives in theaters with a lot of hype is a massive understatement, but it’s also an important thing to consider when weighing what works and what doesn’t in the movie that’s likely to be the biggest blockbuster in Hollywood history by this time next year. It can raise expectations to such impossibly high levels that anything short of a cinematic masterpiece feels like a failure, but it can also whip you into the sort of optimistic frenzy that casts everything from the opening scene to the end credits in a rosy hue that renders criticism impossible.
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